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Northwest Coast art, inseparable from its communities, goes beyond the scope of non-Indigenous scholarship by functioning both aesthetically and performatively. From showcasing kinship connections to embodying spiritual power, this art form holds deep cultural significance that has often been overlooked within the discipline of art history. This volume of contributions aims to highlight Indigenous perspectives and confront the historical erasure of this rich context.
By prioritizing Indigenous voices, drawing on the knowledge of Indigenous artists and their heritage, and challenging existing institutional norms, these essays aim to disrupt traditional approaches to studying Northwest Coast art. Important themes explored in this volume include the protection of cultural heritage and Native sovereignty, the central role of women in the transmission of cultural knowledge, the ongoing efforts towards decolonization in museum spaces, and the ways in which artworks serve as living records of Indigenous history.
Through respectful engagement with Indigenous art and a call for more accountable scholarship and practices, this volume seeks to elevate the understanding and appreciation of Northwest Coast art. By amplifying Indigenous perspectives and advocating for a more inclusive approach to studying and interpreting art, these essays strive to create a more holistic and well-rounded discourse surrounding this important cultural tradition.
product information:
Attribute | Value | ||||
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publisher | ‎University of Washington Press (August 1, 2022) | ||||
language | ‎English | ||||
paperback | ‎344 pages | ||||
isbn_10 | ‎0295750707 | ||||
isbn_13 | ‎978-0295750705 | ||||
item_weight | ‎1.8 pounds | ||||
dimensions | ‎7.3 x 0.8 x 10.3 inches | ||||
best_sellers_rank | #1,126,892 in Books (See Top 100 in Books) #3,632 in Native American History (Books) #3,943 in Arts & Photography Criticism #20,252 in U.S. State & Local History | ||||
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